THIS REVIEW IS PART OF BLITZ’S CONTINUED COVERAGE OF THE 71ST SYDNEY FILM FESTIVAL, 5-16 JUNE. READ THE REST OF OUR REVIEWS HERE.
Aliens, robots, magic, time travel, sorcerers, possession – it is certainly a lot for a single movie (or in this case, a duology). But if there is anything I have learnt about Korean cinema, it is that it can make the most complex, absurd concepts seem as if they make complete sense.
Alienoid, released in 2022, follows several seemingly unrelated plotlines, the first occurring in the movie’s release year and the second in 1391 (with a few other time jumps scattered here and there).
Even amongst the chaos of aliens battling aliens, robots battling robots, and humans battling aliens and robots, Alienoid manages to portray likeable, relatable characters (despite the actual context of the movie being incredibly unrelatable). An endearingly chaotic male protagonist, a kickass female lead and her loving family composed of her robot alien father and his robot alien henchman (think Batman and Robin except…robot aliens), and a whole host of supporting characters that are in their own rights, very complex and interesting. Although at times a little exaggerated, the film was delightfully comedic and had several moments that had the entire audience laughing out loud.
The lighter comedic scenes are however broken up by darker, more intense ones, such as a hospital being overrun and its inhabitants being possessed by alien prisoners, complete with a visual demonstration of said alien prisoners infecting human brains. Albeit a little disturbing, the balance of humorous moments with more serious ones made for an overall incredible film.
via Sydney Film Festival